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The story of
George Washington throwing a silver dollar across the Potomac River has
become an accepted part of American folklore. As in the children’s game
“Rumor,” each retelling of the original incident brought changes: the
Rappahannock became the Potomac, the Spanish doubloon became a dollar, and
the story became suspect. But it was included in the book Young
Washington that George Washington Parke Custis wrote about his
step-grandfather after Washington’s
death.
George
Washington raised Custis after his father, Washington’s step-son John Parke
Custis, died of fever following the Battle of Yorktown at the end of the
American Revolution. After George Washington’s death, as the principal male
heir, Custis inherited the Mount Vernon
portraits, china, silver and many other valuable pieces. He began building
Arlington House in 1802 with the idea of making it a “treasury of
Washington heirlooms.” It was designed by British architect George Hadfield,
who had come to the Washington area to help design the U.S. Capitol.
In 1804 Custis
married Mary Lee Fitzhugh. Many of the notable figures of the time came to
Arlington House to pay tribute to the Washington legend. A frequent guest
was the young Robert E. Lee. After graduating from West Point, Lee married
Mary Anna Randolph Custis, the only surviving Custis child. The marriage on
June 30, 1831 was celebrated in the family parlor at Arlington House.
Mary Anna
stayed in her girlhood home and raised their seven children. Lee’s military
career left him little time to spend with her. When Lee left to serve in
the war, he never saw Arlington House again. Mrs. Lee and the children
moved to Richmond and the house was occupied by Federal troops. The grounds
became part of the capital defenses. After the Civil War, the 1,100-acre
estate was confiscated by the federal government, and the Washington family
possessions scattered. A Supreme Court decision in 1882 returned the house
to Robert E. Lee’s son, but in 1883 he sold it back to the federal
government for $150,000. In 1925, the house was restored to its appearance
during the Lee years. George Washington Parke Custis links two great
American families, the Washingtons and the Lees, and through them two epic
periods of United States history. Arlington House symbolizes that link.
The house,
part of Arlington National Cemetery, is open to the public without
charge from 9:30 A.M. to 4:00 P.M. during
the winter months and until 6:00 P.M. the
rest of the year. Maps of the house with details of the rooms and
furnishings permit visitors to explore at their own pace. Many of the
pieces exhibited are copies of original work, though others are Lee family
pieces and a few Custis furnishings. The grand Greek Revival exterior with
its eight massive pillars is in counterpoint with the simple and hospitable
interior. The view from the portico of the Lincoln Memorial across the
river is riveting.
The use of
Arlington land to bury slain soldiers was initiated by happenstance. In May
1864, President Lincoln and General Meigs were visiting the wounded in the
tent hospital on the Arlington grounds. They realized that with the number
of Civil War fatalities mounting daily a new burial site would be needed, so
they decided to bury the dead at Arlington. Meigs’ intention was to punish
Lee for joining the Confederate army. Thousands would rest there before the
end of the Civil War.
Buried at
Arlington are the known and unknown, the famous and the ordinary citizen
soldier. All of our country’s wars are represented, including the American
Revolution, the War of 1812 and the Mexican War. Since Arlington
officially began during the Civil War, veterans of these earlier conflicts
were disinterred and reburied. Subsequent military deaths in the Indian
campaigns, Spanish-American War, the Philippine Insurrection, World Wars I
and II, the Korean Conflict, Vietnam and
the Persian Gulf all are represented by soldiers who lie at Arlington
National Cemetery.
There are
special memorials to soldiers who died in battle and could never be
identified, but the most famous is the Tomb of the Unknowns. On October 22,
1921, four unknown American soldiers were exhumed from separate military
cemeteries in France where slain soldiers from World War I were buried. A
highly-decorated soldier, Army Sergeant Edward F. Younger, placed a spray of
white roses on one casket on October 24, 1921 and this became the unknown
soldier of World War I. The following month on Armistice Day, November 11,
President Warren G. Harding headed the dignitaries on hand to officially
inter the soldier at the plaza of the Arlington National Cemetery Memorial
Amphitheater.
During the
Eisenhower administration unknown soldiers from World War II and Korea were
interred at Arlington on Memorial Day, 1958. Americans from all across the
country come to Arlington to pay tribute to these valorous soldiers guarded
around the clock by the Tomb Guards from the U.S. Army 3rd U.S. Infantry
(The Old Guard). The impressive changing of the guard ceremony takes place
every 30 minutes during summer hours, every hour during the winter.
This was not
the earliest monument honoring unknown soldiers at Arlington. The first
unidentified battle dead came from Northern Virginia battlefields, most from
the fields of Bull Run. There are about
2,111 unknown soldiers from the Civil War in a vault beneath a massive
sarcophagus south of Arlington House. The mast of the battleship U.S.S.
Maine is adjacent to the burial spot of 167 unidentified who went down
with the ship in Havana Harbor
during the Spanish-American War.
Names from the
pages of American history are found throughout Arlington National Cemetery:
Pierre Charles L’Enfant, Oliver Wendell Holmes, Philip H. Sheridan, William
Jennings Bryan, Robert Todd Lincoln, John J. Pershing, George C. Marshall,
Walter Reed, Robert E. Peary, Richard E. Byrd, James V. Forestal, John
Foster Dulles, Virgil Grissom, Roger B. Chaffee and two presidents of the
United States.
William Howard
Taft, Chief Justice of the U.S. and the 27th president, is buried at
Arlington. There is also a special memorial with an eternal flame marking
the spot where John Fitzgerald Kennedy, the 35th president, is buried. The
walls of the plaza are inscribed with excerpts from President Kennedy’s
Inaugural Address including his moving words, “Now the trumpet summons us
again...” Two children who pre-deceased their father are also buried at the
Kennedy gravesite. Jacqueline Lee Bouvier Kennedy Onassis was buried next to
the president in 1994. Robert Kennedy’s nearby grave is marked by a small
white cross and the sound of water flowing over a fountain spillway.
Arlington National Cemetery is open October through March from 8:00 A.M. to
5:00 P.M. and April through September until 7:00 P.M. Maps at the Visitor
center orient visitors and indicate specific burial sites. The cemetery is
not open to vehicular traffic. Cars must be parked at the visitor center
parking lot, but tour buses are available (for a fee) for those who do not
want to walk. North of the Arlington National Cemetery on Arlington
Boulevard is the often photographed U.S. Marine Corps Memorial. It
was carved to duplicate the photo of the Marines raising the U.S.
flag on Mount Suribachi during World War II. The 78-foot sculpture is
imposing, the largest ever cast in bronze. On Tuesday evenings during the
summer months the Marines have a dress parade and color ceremony at this
memorial. Near the memorial is the Netherlands Carillon. The carillon tower
and bells were a gift from the people of the Netherlands in gratitude for
American assistance during and after World War II. The bells are played
every Saturday from April to September, starting at 2:00 P.M.
Directions:
Take
I-95 to the perimeter of Washington, at the intersection with the Beltway
(I-495/95) and I-395, take the latter and head toward the city. Then exit
at Memorial Bridge/Rosslyn exit onto Route 110 north. From Route 110 exit
at Memorial Bridge/Washington. At the top the the exit turn left onto
Memorial Drive which goes directly to the entrance of Arlington National
Cemetery and Arlington House.
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Visit the
FREEDOM GALLERY
to see scenes of Williamsburg,
Jamestown and Yorktown as
magnificent works of photographic
art. |