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George Mason built for the future; both
his words and his house endure. With his words, in the 1776 Virginia
Declaration of Rights, he built a framework of freedom. "That all men are by
nature equally free and independent and have certain inherent rights...namely,
the enjoyment of life and liberty, with the means of acquiring and possessing
property, and pursuing and obtaining happiness and safety." His immortal
document served as the inspiration for the U.S. Declaration of Independence,
Federal Bill of Rights and the French Declaration of Rights of Man. After being
copied in many emerging democracies, it also served as a model for the United
Nations' Declaration of Human Rights.
Mason's concern for detail, so evident in
the careful choice of the right words in his documents, reveals itself again and
again in his plantation home, Gunston Hall, in northern Virginia. His
keen powers of concentration, you'll learn, sometimes caused him to lose track
of some very important details, however, such as the whereabouts of his nine
children. His son, John, said, "I have frequently known his mind, tho' always
kind and affectionate to his children, so diverted from the objects around him
that he would not for days together miss one of the family who may have been
absent, and would sometimes at table enquire for one of my sisters who had
perhaps been gone a week on a visit to some friend, of which he had known but
forgotten."
George Mason suffered from gout and
therefore served the cause of the Revolution primarily with his pen from the
confines of his study at Gunston Hall. He did, in spite of his handicap, attend
every session of the Constitutional Convention in Philadelphia during the long
hot summer of 1787. He made dozens of speeches and helped draft the
Constitution, but when he lost the battle to include a Bill of Rights and a ban
on the slave trade he refused to sign the finished document.
For the most part he did not travel
great distances, content to travel instead in his mind. John Mason recalled,
"The small dining room was devoted to (my Father's) service when he used to
write, and he absented himself as it were from his family sometimes for weeks
together, and often until very late at night during the Revolutionary War..."
Mason's walnut writing table was salvaged from a fire in July 1880, and has been
returned to the study at Gunston Hall.
It is the interior woodwork that places
Gunston Hall among the most attractive of Virginia's colonial plantations. The
house, unassuming from the outside, is unrivaled in its exquisitely carved
interior woodwork. This work was designed by William Buckland, a 21-year-old
indentured carpenter whom George Mason's brother engaged in England. He chose
well, for Buckland went on to achieve distinction in the roughly five buildings
he designed before his early death. He was one of the first to use chinoiserie
in America. He used the new style in the dining room at Gunston Hall, designing
scalloped frames over the windows and doors, each with intricate fretwork, or
designs. This is the only room with a chinoiserie woodwork scheme to survive
from the colonial era.
Buckland’s delightfully designed drawing
room combines the strong classicism typical of mid-century English design,
reflecting the influence of Andrea Palladio, with rococo elements which were a
popular part of the “modern” or French-influenced style that was fashionable in
Mason’s day. On the wall is a portrait of Ann Eilbeck Mason, of whom her devoted
husband, George, said, "She never met me without a smile."
If you think you've seen a representative
sampling of Virginia colonial houses, you haven't until you see Gunston Hall.
It is not only beautifully built and decorated; it also features a picturesque
Colonial Revival garden. From the main house you gaze down a 230-foot boxwood
allee, planted by George Mason, to the Potomac River overlook. This allee is
the only truly original feature of the garden. Flanking the garden on raised
knolls are twin gazebos. On either side of the allee on both upper and lower
terraces are networks of flower beds (parterres) which, though balanced, are not
similarly designed or planted. The garden design was based on the remembrances
of John Mason combined with current understanding of colonial garden design.
The gazebos offer a view of the house,
garden, river and Deer Park, which was once stocked with white-tailed deer. You
can take the two-mile Barn Wharf Nature Trail which begins at the front of the
house. The trail offers the chance to enjoy spring wildflowers and nesting
bluebirds. Hours at Gunston Hall are 9:30 A.M. to 5:00 P.M. daily except
Thanksgiving, Christmas and New Year’s
Day. An orientation film about George
Mason is shown at the visitor center. Admission is charged.
Bird fanciers may want to extend their
day by visiting the nearby Mason Neck National Wildlife Refuge. The
wildlife refuge is open year-round. This is the first sanctuary established for
the protection of the American bald eagle. Here on this 2,272-acre refuge a
wide variety of wildlife make their home. Much of the marshlands, forests and
wooded swamps are inaccessible to visitors, but the peaceful protection they
offer serves both wildlife and man. More than 226 species of birds have been
spotted at Mason Neck. When you visit bring binculars and a field guide for
bird identification, as you will undoubtedly spot some unfamiliar varieties.
There are two hiking trails: Great Marsh Trail is 3/4 of a mile long and
handicap accessible; Woodmarsh Trail is three miles long with mild hills and
contours.
Directions:
From I-95 northbound, take the Fort Belvoir exit. The sign reads “Mt.
Vernon-Ft. Belvoir.” Travel north on Route 1, then turn right on Route 242,
Gunston Road, for Gunston Hall and Mason Neck National Wildlife Refuge. From
I-95 southbound, take the Lorton exit and turn left on Lorton Road. You will
then make a right on Armistead Road, then right (southbound) on Route 1,
Richmond Highway, Route 242. Proceed four miles to the entrance for Gunston
Hall or 4 3/4 miles for Mason Neck National Wildlife Refuge.
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Visit the
FREEDOM GALLERY
to see scenes of Williamsburg,
Jamestown and Yorktown as
magnificent works of photographic
art. |